"If we don't use this year to think hard — above all by examining the May Fourth Movement, the Paris Peace Conference and China-U.S. relations together, in detail — we really won't work our way out of the tangle we're in now, a knot that can't be cut and won't come undone."
Globalized taste has long been unavoidable. But the speed at which information travels still decides things — as noted earlier, it shapes desire more forcefully than ever.
How to work, how to be a writer, how to spend a career, how not to cheat, how to be serious, how not to be spiteful, how to hold on to basic professional integrity and a moral sense. That's what needs talking about. It's very basic stuff, and nobody thinks it's worth discussing anymore.
Controlling a whole market on merit can be tolerated, and taking most of an industry's profit isn't much of a problem either. The trouble starts when a company uses its monopoly to decide who may use a piece of infrastructure.
A word like "history" usually reaches us wrapped in grand narrative. We would rather work from interviews at the smallest scale, and sort out what we can.
One idea from the conversation: Japanese society keeps closing in on itself. Young people won't go abroad, to study or to work, and are content where they are. They think they are the different ones — a dangerous thought.
The spread of digital photography left Ni Liang feeling that "words are faint, images weightless." Printing photographs into books is how he fights back — and the "blue ocean" he is betting will turn into a business.
For 40 years she has played other women — or, more precisely, different “images of women.” Many people read that work as a vanguard of feminism, even as the foundation of “male gaze” theory.
Japan's bubble burst, its economy stalled, its population aged, more people swore off marriage, the nuclear family came apart… A cascade of social problems has left people overwhelmed, and the troubles facing the frontrunner look like the troubles waiting for China. Is that really the case?
An exhibition at Modern Art Base tells that history. We also talked about fabric with Zandra Rhodes, the only artist and designer in the show who is still alive.
A utilitarian view of education—and of social progress generally—is certainly one big cause, but the decay of humanities education itself matters just as much.
"Publishing cannot stand apart from the currents of society. It should watch social problems constantly, and then focus on how to improve and solve them."
People often say travel is a matter of "seeing is believing." Is that really true? Why does travel hide more from us than it shows us — and why is the hidden part the more essential one?
Shared kitchens supply restaurant space — processing space, really — built for delivery. Beyond the real estate, the services they sell aren't worth much yet.
It's not just *The Catcher in the Rye* — the theme of "youth" that Salinger worked over has run on through more than half a century of pop culture, in one variation after another.
The Oscars have never billed themselves as art, and they keep their distance from commercial films. What they try to do is define American values and vouch for them — and that core is now fading.
“Hong Kong Street Life” is a QDaily column by outside contributors, devoted to setting down, as quickly as it can, whatever sketches it can manage of a place that is changing fast.
“Archiving Eden shows viewers another way of looking at nature, and it draws in people who know nothing about seed banks. If seed banks stopped working, the plants we live on would disappear, the animals would disappear, and in the end we would disappear too.”
Only when we place the Meiji Restoration inside East Asia's situation since the West arrived, and inside the history of world civilization, can we see both its great significance and its fundamental shortcomings in full.
This interview runs in two parts. This is the second, mainly about nationalism, the transformation of Arab states, and Professor Eugene Rogan's intellectual formation and life.
The only consolation is that our lives are so rich we're confident we could expand the Chinese edition of *The Dictionary of Human Stupidity* until it's as thick as Webster's.
This is Chengdu as the historian Wang Di sees it. He has been a harsh critic of the expansion of modern state power, always looking at problems from the side of the weak, and at history from the bottom of society.
From educating the masses to amusing them to death, from the centerpiece of the living room to a point of attention in the palm of your hand — television drama is cultural change, condensed.
"Conservatism has now arrived in China. The moment matters — not only for China but for the world, because it may help change the fate of this great Eastern power."
Developers and hotel brands are betting that in a world where the outlook keeps getting murkier and young people are broadly broke, a tiny few will keep getting richer.